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Palmer ORBIT 11 Active Studio Monitor

Product code: 1329558

Palmer ORBIT 11 Active Studio Monitor

Product code: 1329558

The Palmer ORBIT 11 White is an active coaxial 3-way studio monitor engineered in Germany for mixing, mastering, post-production, and sound design. Its coaxial true point source pairs a 6.5" midrange driver with a 1" tweeter on a single acoustic axis, while dual impulse-compensated 8" woofers deliver tight, resonance-free bass down to 28 Hz. A 1000…
  • Woofer: 8"
  • Crossover Frequency: 1800 Hz, 250 Hz
  • Power: 1000 W
  • Tweeter: 1"
  • Middle Speaker: 6,5"
  • Sound Pressure Level (SPL): 116 dB

Palmer ORBIT 11 Active Studio Monitor

The Palmer ORBIT 11 White is an active coaxial 3-way studio monitor engineered in Germany for mixing, mastering, post-production, and sound design. Its coaxial true point source pairs a 6.5" midrange driver with a 1" tweeter on a single acoustic axis, while dual impulse-compensated 8" woofers deliver tight, resonance-free bass down to 28 Hz. A 1000 W Class-D tri-amp, 96 kHz / 24-bit DSP, and cardioid front baffle give engineers a stable, room-friendly reference for critical decisions.

  • Coaxial True Point Source: 6.5" mid + 1" tweeter — coherent imaging with 120° × 120° constant directivity
  • Dual 8" Woofers: impulse-compensated — tight, vibration-free low end down to 28 Hz
  • Tri-Amp Power: 1000 W peak / 400 W RMS — 116 dB SPL peak with reserves for larger rooms
  • Connectivity: Balanced XLR + AES3 in/out — analog or digital signal chains with daisy-chain support

Palmer ORBIT 11 White — Coaxial 3-Way Studio Monitor for Critical Listening

The Palmer ORBIT 11 White is an active coaxial 3-way studio monitor built for mixing, mastering, post-production, sound design, and broadcasting. Its coaxial true point source places a 6.5" midrange driver and a 1" tweeter on a single acoustic axis, producing a coherent image across a 120° × 120° listening area. The Palmer ORBIT 11 White is the right choice for engineers who need a nearfield reference that translates reliably across rooms and playback systems.

Coaxial Point Source, Cardioid Control, and German Engineering

What separates this model from typical nearfield designs is the combination of a coaxial mid/tweeter array with a cardioid front baffle that reduces rearward acoustic energy and limits room interaction. Two impulse-compensated 8" woofers sit in a sealed die-cast aluminium enclosure with 5 mm wall thickness, designed to cancel mechanical forces and minimise cabinet vibration. Linear-phase FIR filters and a 96 kHz / 24-bit DAC keep the three drivers time-coherent for accurate transient and phase behaviour.

Coaxial Driver Array — Imaging and Midrange Clarity

A coaxial layout means the midrange and tweeter share one acoustic origin, so phase relationships stay locked and the stereo image remains stable when the listener shifts position.

  • Midrange Driver: 6.5" / 165 mm cone with 2" voice coil — handles the vocal and instrument band without crossover breakup
  • Tweeter: 1" / 25.4 mm dome with neodymium magnet — extends cleanly to 28 kHz for air and detail in cymbals and overheads
  • Crossover Points: 250 Hz and 1800 Hz — keeps each driver in its optimal operating band

Tri-Amplification and DSP — Headroom for Real Sessions

Three dedicated Class-D amplifier channels feed each driver independently, so bass transients and high-frequency detail are not competing for the same power supply.

  • Amplifier Power: 1000 W peak (LF 500 W / MF 250 W / HF 250 W) · 400 W RMS — tri-amp topology with reserves for dynamic material
  • Maximum SPL: 116 dB peak — comfortable headroom for tracking and mix playback
  • Frequency Response: 28 Hz – 28 kHz @ -3 dB — full-range accuracy without a subwoofer in most rooms
  • Internal Processing: 96 kHz / 24-bit DAC and DSP · 4 ms system latency — linear-phase FIR filters for time-coherent driver integration

Cabinet, Connectivity, and Room Adaptation

The sealed die-cast aluminium enclosure is engineered to suppress resonance and improve wall coupling, while the top-mounted control panel gives quick access to room-compensation tools without menus.

  • Enclosure: Die-cast aluminium, 5 mm wall thickness, sealed — ultra-low resonance and tight, controlled bass
  • Inputs: Balanced XLR 3-pin line + AES/EBU via XLR — analogue or digital signal chains in one monitor
  • Onboard Controls: 3-band EQ · Desk and Rear Wall presets · 80 Hz high-pass filter · input pad — fast acoustic compensation without external DSP
  • Mounting: 4× M6 threaded points · M8 safety eye-bolt · Gravity GSPWMBS20B compatible

Who This Monitor Is Built For

This monitor is the right choice for mixing and mastering engineers, post-production specialists, and serious project-studio owners who need a full-range reference that holds up at low, medium, and high listening levels. The coaxial point source and cardioid baffle make it well suited to small and mid-sized rooms where wall reflections are hard to treat. Content creators and broadcasters benefit from the AES3 digital input, which bypasses an extra AD conversion stage and keeps the signal path clean. At 13.9 kg with a footprint of roughly 217 × 293 × 292 mm, the cabinet is compact enough for desktop or stand-mounted nearfield use, yet powerful enough for midfield setups in larger control rooms.

Palmer — German Engineering from the Adam Hall Group

Palmer is a German pro-audio brand within the Adam Hall Group, long known for practical studio and stage tools — from DI boxes and line isolators to monitor controllers. The ORBIT series is engineered in Germany with a focus on time-coherent reproduction and extended low-frequency response. The white finish option sits naturally in modern studio interiors, while the die-cast aluminium housing reflects the same build philosophy applied across Palmer's professional audio range.

Frequency Range

Frequency Range: 28 Hz - 28 kHz

The frequency response 28 Hz - 28 kHz provides a wide enough range to capture all the fine musical and sonic details.

Power

Power: 1000 W

With power up to 1000 W , you get plenty of headroom for impressive volume and dynamics whether you're in the studio, at home, or partying.

EQ

EQ: 3 Bands

The product is equipped with a 3-band EQ that allows you to adjust the sound precisely to your preferences. Bass, mid-range, and treble controls allow you to boost or cut individual frequencies for a perfectly balanced audio experience.

Inputs

Inputs

  • AES/EBU (XLR)
  • Balanced XLR Female

Sound Pressure Level (SPL): 116 dB

High SPL levels up to 116 dB allow you to experience the sound as it was originally intended, with sufficient volume and dynamics.

Suitability

Тype

3 Bandwidth

Features

LF Driver Power Amp

320W

EQ

3 Bands

HF Driver Power Amp

40W

HF Driver Type

Coaxial

Bluetooth

No

Properties

Woofer

8"

Crossover Frequency

250 Hz, 1800 Hz

Frequency Range

28 Hz - 28 kHz

Power

1000 W

MF Driver Power Amp

40W

MF Driver Type

Coaxial

Tweeter

1"

Bass Reflex Port

No

Middle Speaker

6,5"

Sample Rate

96 kHz / 24 bit

Bit Depth

24 bit

Colour

White

Power (Watt)

1000

Original Colour by Producer

White

Material

Housing

Aluminium

Inputs and Outputs

Outputs

AES/EBU XLR

Acoustics

Amplification configuration

Tri-amp

Power RMS

400 W

Sound Pressure Level - SPL (dB)

116

Sound Pressure Level (SPL)

116 dB

Effects

Filter

High Pass

Package

Package Quantity (pcs)

1

Package Contents

Power Cable, Screws, Eye Screw

Power supply

Power Supply

100 - 240V

Accessory

UK/EU Power supply included

No

Dimensions and Weight

Width (cm)

21,7

Height (cm)

29,3

Depth (cm)

29,2

Net Weight (kg)

13,9

Country

Made in

China

Documents

Instructions for use
Manufacturer information
Manufacturer:
Adam Hall
Adam-Hall-Str. 1, 61267, Neu-Anspach, Germany
Safety instructions

Please refer to the user manual for the specific safety instructions for this product.