Audient iD2 MK3 USB Audio Interface
The Audient iD2 MK3 is a 10-in / 6-out desktop USB-C audio interface built around two Audient Console Mic Preamps with 75 dB of clean gain, drawn from the same discrete Class-A design used in the flagship ASP8024-HE console. It records at 32-bit / 192 kHz with 128 dB of dynamic range, and adds onboard DSP for EQ, compression and reverb that runs with zero latency and no CPU load. Built-in RoomTune Monitor Correction, the Analogue Tone Suite (HMX, LIFT, GLOW and ORBIT) and ADAT expansion make it a serious step up from entry-level interfaces for home producers.
- 2 Console Mic Preamps with 75 dB of clean gain and +48 V phantom power to drive any dynamic or condenser microphone
- 32-bit / 192 kHz conversion with 128 dB dynamic range on the line outputs for transparent capture of quiet and loud sources
- 10-in / 6-out I/O via USB-C with combo XLR/Jack inputs, JFET instrument input, optical ADAT/SPDIF and dual headphone outputs (3.5 mm and 6.3 mm)
- Onboard DSP FX for EQ, compression and reverb plus RoomTune Monitor Correction that runs on the hardware with zero CPU cost
Audient iD2 MK3 — Studio-Grade Desktop Audio Interface
The Audient iD2 MK3 is a 10-in / 6-out USB-C audio interface for home producers stepping past entry-level gear. Two Audient Console Mic Preamps with discrete Class-A circuitry deliver 75 dB of clean gain that drives an SM7B without an inline booster. At 32-bit / 192 kHz with 128 dB of dynamic range, it captures quiet and loud sources cleanly. Bus-powered over USB-C, it brings console-grade preamps, hardware DSP and RoomTune Monitor Correction to a compact desktop.
What Sets the iD2 MK3 Apart
The Analogue Tone Suite shapes the preamp signal before it reaches the DAW: HMX adds MOSFET harmonic saturation, LIFT brings high-frequency sheen, and GLOW combines both. ORBIT is a relay-based variable impedance control with PUNCH (2.8 kΩ), SMOOTH (1.2 kΩ) and VINTAGE (220 Ω) settings that physically reshape how a microphone interacts with the preamp.
Console-Grade Preamps and Elite Conversion
With 75 dB of clean gain, an EIN of -128 dB A-Weighted and a frequency response within ±0.1 dB from 10 Hz to 80 kHz, the preamps capture delicate acoustic instruments and loud sources alike.
- Number of Preamps: 2 Audient Console Mic Preamps — discrete Class-A design
- Phantom Power: +48 V DC, 10 mA per channel
- Sample Rate / Bit Depth: up to 192 kHz / 32-bit
Inputs, Outputs and Expansion
Ten inputs and six outputs cover a full band session. An optical input accepts both ADAT (8 additional channels) and S/PDIF.
- Inputs: 2 × Combo XLR/Jack, 1 × 6.3 mm Jack (JFET), 1 × Optical (ADAT/S/PDIF)
- Outputs: 4 × 6.3 mm TRS line out (Main + ALT), 1 × 6.3 mm headphone, 1 × 3.5 mm headphone
- Digital I/O: ADAT (8 channels) and S/PDIF via optical input
Onboard DSP, Monitoring and Build
Hardware-accelerated DSP runs EQ, compression and reverb directly on the interface with zero latency and no CPU cost.
- Onboard DSP FX: EQ, Compression and Reverb on hardware — zero latency, zero CPU load
- RoomTune Monitor Correction: built-in, runs on hardware DSP
- Connectivity / Power: USB-C, bus-powered — macOS 12+, Windows 10/11, iPad and iPhone
Type
Desktop
Compatibility
Number of Preamps
Phantom Power
Word Clock
ADAT
Interface
LAN
MIDI Interface
Number of Microphone/Line In Input Ports
2
Controls
DA Conversion
AD Conversion
S/PDIF
USB
Yes
Ethernet
Analogue Inputs
Inputs
Instrument Inputs
Microphone Input
Line Inputs
Line Output
Analogue Outputs
Headphone Output
Optical Out
No
Type-A Connector
Package Contents
USB-C to USB-C Cable
UK/EU Power supply included
No
Length (cm)
12
Width (cm)
17,3
Height (cm)
6,3
Weight
628 g
Made in
China
Documents
Instructions for use
Safety instructions
Please refer to the user manual for the specific safety instructions for this product.
